The older I become, the more I realise that
there are two sides to every story.
Be it the divorce of my parents, the squabble
within a family, or even the Labor Liberal divide – everybody has their own
opinion, and their unique perspective. After all, would you hold your ground
stubbornly unless you believed utterly that you were correct?
In events such as we have recently
witnessed in the US, with that awful massacre, I always wonder what compelled
the gunman to such a terrible act, for whatever it was, it must have been
terrible.
But what is mostly preying on my mind when
it comes to both sides to the story, is my great-uncle, Mark. Last week, he
died. Nobody is perfect. He was certainly not. But I always knew him as someone
who was kind to me. When I was a child, he would never speak down to me, but
always as though I were his equal. When I would bring him the drawings I had
enthusiastically made, he would treat them seriously, telling me to “sign and
date them”, or offer an aesthetic tip. Little did I realise until my wanderings
through his room and studio during the past few months, that he had kept most
of my drawings, and even the photograph I gave him for Christmas or a birthday
two years ago.
Outwardly, Mark could be at times,
difficult. But I never doubt that he cared for me, or my mother. The last time
I saw him in hospital, his wife, my great-aunt, Sue, pointed to me, and said “this
is Alice”. His response was a definite, “no”, because to him, I was a young
child. This is something which brought a smile to my face then, and now. I
regret not having adequately gotten the chance to know him in my adulthood,
because I hope that I may have gotten to know him a bit better. Have understood
him, and in turn, his perspective.
As an artist, Mark influenced me, probably
more than I know. In the link below, he explains photography as capturing a
moment in time that will never again be seen. Seeing this, my reaction was “but
I think this”, and I truly realised the extent to which he lives on in my own photography
and artistic endeavours, such as they are.
The point I am making in a roundabout fashion,
is that Mark was a multifaceted individual, whose outward manifestation did not
reveal all there was to him. I am the first to admit that I am too quick to
judge, but it is always well worth keeping in mind that there are two sides to
every story, and Mark certainly had a story to tell.
I strongly recommend you watch the
following video, as it tells not only his story, but ours as a country. I will
miss him, and I will miss not having known him to the extent that I could have.
If you are even more inclined (which I do
hope you are), Zetta Florence has a line of stationary featuring some of his
photographs. I think them truly beautiful.
An important point made by Ray Edgar to add to your blog - "Arriving in Melbourne in 1950 he embraced his new-found freedom. In 1957 he took up photography in earnest. Just 10 years later he was the first photographic artist to have a solo exhibition at the National Gallery of Victoria and the first to be acquired by the new National Gallery of Australia in 1973."
ReplyDeleteRead more: http://www.theage.com.au/entertainment/art-and-design/photographer-caught-derelict-and-splendid-melbourne-20121213-2bcbr.html#ixzz2FiZ9IVOX
Alice, thanks for this excellent blog-post with your personal reflection on life and on the life of Mark Strizic. The video on Mark's "Golden Years" is very interesting. Vic
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